In my sculptural work, I aim to evoke a distinctly feminine sensibility, one that perceives the fluid and ever-changing cycles of evolution, birth, and death through a spiritual lens. As in my drawings, I explore the intersection where science, spirituality, and art converge. Ceramics, with its rich tradition of creating both functional and ornamental objects, often signifies luxury and opulence. The ornate organic forms of Art Nouveau and Baroque—both art movements that embraced excess—are key influences in my work.

However, rather than ending at mere aesthetic opulence, I use beauty, intricacy, and excess as a means to delve into deeper aspects of existence, such as aging, death, and the evolution of consciousness. My work reflects a shift from an “egocentric” view to a more expansive, holistic perspective—one that recognizes all living beings as interconnected and part of a greater whole.